Artist

My practice as an artist involves a mix of video art, painting and web coding, and is deeply influenced by a nomadic and multicultural upbringing. I mainly address ideas of dislocation, globalization, and cultural imperialism. By remixing American pop media with cultural theory, I makes light of personal topics such as biracial identity and alienation. Visual motifs such as pixelated images, bright colors, looping animations haphazardly stitched together to form half-remembered environments all speak to my experience of the internet as a new kind of territory to root oneself in, in the absence of physical third spaces and cultural belonging.

Scroll to check out my main projects.

This is Where I Am Coming From (2026)

Video documentation of multichannel installation, CRT monitors displaying looped visuals made in After Effects, Premiere Pro, HTML, CSS, Javascript, Processing and Photoshop.
Project shown at Espace Transmission as part of Living, Breathing Thing (IMCA 400 graduating class show).

This Is Where I Am Coming From is a multi-channel video installation that comes to grips with the fantasy of globalization and the portability of memory. The installation features a stack of CRT monitors, placed on a small cart with luggage tags attached. The project explores the paradox of distancing oneself from one’s memories to better preserve them, while also ensuring that they are as lightweight and portable as possible for one’s own circulation around the globe. As geographic distance collapses in compact drives, the fantasy of being a “citizen of the world” eclipses any sense of belonging and rootedness.
Click here to visit the virtual installation.

Half of Anything, or Twice of Everything?

Oil on custom-cut birch plywood panels.
Kim, 30”x20.5”
Mai, 22.5”x30”
Anh, 30”x30”

This three part series works with the language of the “background” to explore my mixed-race identity and relationship to my family’s Vietnamese heritage, as it exists asymmetrically to our French heritage and largely North American upbringing.

Chapultepec Atmosferas (2026)

Single channel video filmed by Danya Leal Romero, edited in Premiere Pro and After Effects by Chloe Kim Marchal.
This project was screened at Suoni Per Il Popolo Festival 2026.

This video approaches the city as a living, sensorial field. Working from the proposition la ciudad está viva, the piece lingers on textures, colours, surfaces, and rhythms encountered in Parc Jarry and Parc de Dieppe, attending to the subtle movements through which urban space reveals itself as active, relational, and continuously in formation. Developed through a collaborative editing process with Chloe Kim Marchal, the work takes shape as a visual conversation that moves through rhythm, layering, and repetition. Made in close dialogue with the musical collaboration of Stefan Christoff and Daniela Solís, the video accompanies one of the compositions from their album, translating its atmosphere and rhythm into a visual language grounded in the textures of the city.
Text by Danya Leal Romero.

What's In The Background? (2026)

Single channel video created in Premiere Pro, After Effects, HTML, CSS, Javascript

A video-diary-collage-reflection on language, culture, and tensions in the diaspora between a minority and its host country. An angst letter to the ways in which one language supersedes another in daily life, and the ways in which we bite our (mother) tongue.

Here and There, Now and Then (2025)

Oil on wood panel, 20"x20"

This piece plays with simultaneity and pulls inspiration from my video practice, extending visual motifs of superimposition and overlay into painting.

1px = 30.6km/We Are This Far Apart"(2025)

Video documentation of web project built using HTML, CSS, Javascript and Media Pipe

Video documentation of web project "1px = 30.6km/We Are This Far Apart"(2025), inspired by Josh Worth's "If the Moon Were Only One Pixel". This creative coding project was made using HTML, CSS, JavaScript, and Google’s Media Pipe Solutions Hand Landmark model. The concept of this project is to represent large distances on a smaller, embodied scale, a reflection of how the body does not physically register the distance traveled via plane. Through online video calling platforms such as FaceTime, Discord, long distance relationships collapse into one screen. The project is a confrontation of the inconsistent internal sense of distance with numbers, which become slippery and wobblier the more you try to stabilize your hand.

The DVD Cart (2025)

Single channel video created using Premiere Pro, After Effects, Photoshop, HTML, CSS, Javascript and Avidemux.
Shown at the 2026 VAV Commencement Show at Concordia University.

“The DVD Cart” is an ode to Chinese bootleg DVD carts and the low-quality copy. Visual motifs such as pixelated images, bright colors, looping animations and PNGs stitched together to form half-remembered environments all speak to the artist’s experience of the internet as an amalgamated hybrid third space.

The Home Page (2025)

Video documentation of web project built using HTML, CSS, Javascript, Womp, Photoshop and footage edited in After Effects.
Presented as part of group exhibition at Deux Fois Mieux MTL pop-up, "Growing Pains" curated by Laurianne Monnette and Jenn Amankrah.

In “The Home Page” memory is organized through older recording devices such as digital cameras and storage devices such as the iPod. The role of these devices in memory is indistinguishable from the memories themselves. In a sense, the interface of the technology that stores the memory is as important to the memory or sense of nostalgia as the captured data itself. This site reflects on one hand, a desire to return to an old home, and on the other, the acknowledgement that there is no future there.
Screen recording as video documention, site link to come.

Best of Both Worlds (2024)

Multichannel synced video installation and performance created using Premiere Pro and After Effects.
This project was shown as part of Art Matters Festival and Nuit Blanche 2025.

“Best of Both Worlds” is a multichannel video installation which plays on the Disney Channel show Hannah Montana to address my own biracial identity. The project serves as a playful approach to a traumatic subject: the cultural disconnect I experienced growing up, being alienated from my mother tongues and forced by my North American environment to prioritize understanding my peers rather than my family. Ultimately, the project concludes with the one lesson that Disney Channel has taught me: that the one true, universal culture is (American) cultural imperialism. The project reflects an older version of Disney Channel which had not yet adopted discourses of “representation” and “never forget who you are and where you’re from” rhetoric.

click here to check out other projects!